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Portrait of Eva León
Rank #8102

Eva León

Nom de naissance: Carmen León Conde

Date de naissance: 1948-01-14

Lieu de naissance: Madrid, Spain

Détails

Noms alternatifs: Eva León Conde

Caractéristiques physiques: N/A

Carrière

Premières apparitions:

  • One Billion for a Blonde (1972) comme Enfermera

Rôles les plus importants:

  • Olímpicament mort (1986) comme
  • Blue Eyes of the Broken Doll (1974) comme Nicole
  • Mansion of the Living Dead (1982) comme Olivia
  • Golden Temple Amazons (1986) comme Rena the Amazon leader (uncredited)
  • I Hate My Body (1974) comme Mika Rohn
  • Autopsy (1973) comme Lucía
  • Dormir Y Ligar: Todo Es Empezar (1974) comme Encarna, la estanquera
  • One Billion for a Blonde (1972) comme Enfermera
  • Voodoo Black Exorcist (1974) comme Sylvia / Kenya
  • Mayordomo para todo (1976) comme Margarita

Points forts de carrière:

  • Olímpicament mort (1986)
  • Blue Eyes of the Broken Doll (1974)
  • Mansion of the Living Dead (1982)
  • Golden Temple Amazons (1986)
  • I Hate My Body (1974)
  • Autopsy (1973)
  • Dormir Y Ligar: Todo Es Empezar (1974)
  • One Billion for a Blonde (1972)
  • Voodoo Black Exorcist (1974)
  • Mayordomo para todo (1976)

Biographie complète

Born on January 14, 1948, in Madrid as Carmen León Conde, Eva León is a prominent Spanish actress who became a versatile staple of Spanish cinema during the 1970s and 1980s. Raised in an artistic family—her sister is the singer Rosa León—she pursued dramatic arts after completing her basic education and began her professional journey in the late 1960s.

León is widely recognized for her adaptability across various genres, moving seamlessly between drama, comedy, and horror. Her filmography is notably marked by collaborations with cult director Jess Franco, including her role as Olivia in the 1982 horror film La mansión de los muertos vivientes (Mansion of the Living Dead) and other titles like Bahía blanca (1985) and Golden Temple Amazons (1986). Beyond the horror genre, she appeared in significant works such as I Hate My Body (1974) and the musical drama Las cosas del querer (1989).

In addition to her film career, León was a familiar face on Spanish television and stage, frequently performing in musical theater and revue shows. Her personal life was also tied to the industry through her marriage to actor Andrés Resino, with whom she shared professional partnerships until their divorce in the early 1980s; their daughter, Mercedes Resino, also became a television presenter and actress. Over several decades, León established herself as a respected figure in the vibrant era of post-transition Spanish entertainment.

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