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Duration: 12 sec. | Nudity: yes | Creator: fant606 |
New Filesize: N/A | Sound: yes | Old Filesize: 2 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 704x304 | Added: 2005-Dec-08 |
Birth Name: Chloë Stevens Sevigny
Birth Date: 1974-11-18
Birth Place: Springfield, MA - Massachusetts, United States
Alternate Names: Chloe Sevigny, Chloë Stevens Sevigny, Chlöe Sevigny, کلوئه سونی, کلوئه سِوینی, کلوئی سونی, کلوئی سِوینی, クロエ・セビニー, 克蘿伊·塞凡妮, 科洛·塞维尼, 클로에 세비니
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Chloë Sevigny began her career in 1995 at age 20, debuting in Larry Clark's controversial film 'Kids'. She gained prominence playing Lana Tisdel in 'Boys Don't Cry' (1999), earning an Academy Award nomination for Best Supporting Actress. Throughout the 2000s, she appeared in numerous independent films like 'American Psycho', 'Demonlover', and 'The Brown Bunny', which sparked controversy due to a graphic scene. From 2006 to 2011, Sevigny starred as Nicolette Grant on HBO's 'Big Love', winning a Golden Globe Award for Best Supporting Actress in 2010.
Release Year: 2002
Alternative Title: Sangre de inocentes, Espionagem na Rede, L'amant diabolique, Demonlover.com, Démoni szerető, Демон-любовник
Director: Olivier Assayas
Writer: Olivier Assayas
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Companies: Citizen Films, Elizabeth Films, M6 Films, Vértigo Films
Genre: Drama, Erotic Thriller, Mystery, Thriller
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Keywords: adult animation, hentai, new french extremism
Diane works for a French firm bidding to purchase a Japanese animation outfit specializing in adult animation ('hentai'). She sabotages her supervisor Karen and takes over her position with the help of Karen's assistant Elise, who initially remains loyal to Diane but later becomes disloyal. When an American web media company led by Elaine enters the competition for the rights to the studio, a power struggle ensues involving espionage and violence. The plot thickens when it is discovered that one of the parties controls an internet site broadcasting actual torture.
Demonlover (2002) is a French film directed by Olivier Assayas, set against the backdrop of corporate competition in the adult animation industry. The movie explores themes of ambition, betrayal, and power struggles within the context of new media and globalized commerce. It's considered part of the 'New French Extremism' movement due to its provocative content and challenging narrative structure.