Scene from Le jeu avec le feu (1975)

Alternate Names: A. Maria Magnoni, Agosta Maria Magnoni, Agostina Maria Magnoni, Агостина Белли

Physical Characteristics: N/A

First Appearances:

• The Violent Four (1968) as Girl hostage (uncredited)

Most Important Roles:

• The Brother from Space (1988) as Jenny
• Revolver (1973) as Anna Cipriani
• The Eroticist (1972) as suor Brunhilde
• Bluebeard (1972) as Caroline
• Night of the Devils (1972) as Sdenka
• The Fifth Cord (1971) as Giulia Soavi
• Fable (1996) as Elide
• Soldati - 365 all'alba (1987) as Anna
• Playing with Fire (1975) as Maria
• Holocaust 2000 (1977) as Sara Golan

Career Highlights:

• The Brother from Space (1988)
• Revolver (1973)
• The Eroticist (1972)
• Bluebeard (1972)
• Night of the Devils (1972)
• The Fifth Cord (1971)
• Fable (1996)
• Soldati - 365 all'alba (1987)
• Playing with Fire (1975)
• Holocaust 2000 (1977)

Awards:

• Targa d'Oro

Agostina Belli, born in Argentina, is an actress known for her role as Anne in the 1972 film 'Bluebeard'. In the film, her character discovers a vault filled with frozen bodies of Bluebeard's previous wives, leading to a suspenseful plot where she must outwit her murderous husband.

Alternate Names: Anicee Alvina, Anicée Schahmaneche, Anicée Schahmaneche, Anicee Alvina, Anicée Schahmaneche, Anicée Shahmanesh

Physical Characteristics: N/A

First Appearances:

• She Does Not Drink, Smoke or Flirt But... She Talks (1970) as Pregnant teenager on tv

Most Important Roles:

• Shéhérazade (1971) as Dinharzade
• Friends (1971) as Michelle Latour
• Paul and Michelle (1974) as Michelle Latour
• La Barricade du Point-du-Jour (1978) as Elise
• Lost Soul (1977) as Lucia
• Playing with Fire (1975) as Carolina de Saxe
• One, Two, Two: 122, rue de Provence (1978) as Judith
• L'Affiche rouge (1976) as l'amie de Rayman
• Successive Slidings of Pleasure (1974) as Alice/The Prisoner
• Les grands sentiments font les bons gueuletons (1973) as Anne-Marie Reverson

Career Highlights:

• Shéhérazade (1971)
• Friends (1971)
• Paul and Michelle (1974)
• La Barricade du Point-du-Jour (1978)
• Lost Soul (1977)
• Playing with Fire (1975)
• One, Two, Two: 122, rue de Provence (1978)
• L'Affiche rouge (1976)
• Successive Slidings of Pleasure (1974)
• Les grands sentiments font les bons gueuletons (1973)

"European women, with their alluring accents and captivating eyes, have a notable effect on the Skin Central crew, arousing them significantly. Anicée Alvina is a prime example of this appeal within French cinema. While dialogue, cinematography, and editing techniques might be applauded in other films, it's the skin factor that truly sets French cinema apart, much like Lewis and Clark's exploration of untamed territories. Anicée embodies this adventurous spirit, having begun her career as a pregnant teenager on TV in 'Elle boit pas, elle fume pas, elle drague pas, mais... elle cause!' (1970), translated as 'She Does Not Drink, Smoke or Flirt But... She Talks!'.

Her first nude scenes were featured in the British production 'Friends' (1971), where she showcased her youthful figure. However, it's her roles in 'Glissements progressifs du plaisir' (1973) and 'Le Jeu avec le feu' (1975) that truly highlight Anicée's daring career choices. In both films, she bares all, with particularly notable scenes including a sudsy bath scene revealing her intimate trinity, followed by an intimate encounter in bed with another character. Just two years later, she went full frontal again in 'Anima Persa' (1977), leaving little to the imagination as she posed nude for an art class."

Alternate Names: Christine Boysson

Physical Characteristics: N/A

First Appearances:

• The Mad Adventures of Rabbi Jacob (1973) as Wedding guest (uncredited)

Most Important Roles:

• Emmanuelle (1974) as Marie-Ange
• Love at the Top (1974) as Naked girl at Flora's (uncredited)
• The Truth About Charlie (2002) as Commandant Dominique
• Born for Hell (1976) as Christine
• State Affairs (2009) as Mado
• All About Actresses (2009) as La prof de théâtre
• I Dreamt Under the Water (2008) as la mère d'Antonin
• To the Extreme (2000) as Caroline
• Sorceress (1987) as Elda
• Jeanne's House (1988) as Jeanne

Career Highlights:

• Emmanuelle (1974)
• Love at the Top (1974)
• The Truth About Charlie (2002)
• Born for Hell (1976)
• State Affairs (2009)
• All About Actresses (2009)
• I Dreamt Under the Water (2008)
• To the Extreme (2000)
• Sorceress (1987)
• Jeanne's House (1988)

Christine Boisson, born April 8, 1956, was a French actress known for her role in the film 'Emmanuelle' (1974). She began her career after being discovered by director Just Jaeckin through her modeling agency photo. After Emmanuelle, she continued acting and studying drama. In 1977, Boisson made her stage debut in Chekhov's 'The Seagull'. Notably, she won the Prix Romy Schneider in 1984 for her role in 'Rue Barbare'. Later, in 2005, she starred in a stage production of Botho Strauß' 'Viol', directed by Luc Bondy. Tragically, on October 14, 2010, Boisson attempted suicide.

Alternate Names: Joelle Coeur, Joelle Coeur, Joelle Faguet, Joelle Faguet, Joëlle Faguet, Joëlle Cœur, Joëlle Faguet

Physical Characteristics: N/A

First Appearances:

• Sexana (1972) as

Most Important Roles:

• La nuit du beau marin peut-être? (1976) as
• The Demoniacs (1974) as Tina
• House of Perversity (1974) as Irma
• Infidélités (1975) as Cécile
• Schoolgirl Hitchhikers (1973) as Monica
• Fly Me the French Way (1974) as Valérie
• Seven Women for Satan (1975) as Anne
• Playing with Fire (1975) as The bride
• Sex Rally (1974) as Vicky
• French Undressing (1976) as Joëlle / Yvette

Career Highlights:

• La nuit du beau marin peut-être? (1976)
• The Demoniacs (1974)
• House of Perversity (1974)
• Infidélités (1975)
• Schoolgirl Hitchhikers (1973)
• Fly Me the French Way (1974)
• Seven Women for Satan (1975)
• Playing with Fire (1975)
• Sex Rally (1974)
• French Undressing (1976)

Joëlle Coeur played one of the two rape survivors turned 'she-devils' seeking vengeance against their attackers, along with Samantha Bardou, in the 1974 film 'Les démoniaques'. The film's plot involves a group of shipwreckers who brutally assault and abandon the two women after luring their ship to coastal rocks. Coeur's character, alongside her friend, is helped by mysterious figures such as a clown and an exorcist in exacting their revenge.

Alternate Names: Natalie Ziegler

Physical Characteristics: N/A

First Appearances:

• The Felines (1972) as Florence

Most Important Roles:

• Anatomie d'un meurtre (1986) as
• Lamerique (1974) as
• Seven Women for Satan (1975) as Muriel
• The Bitches (1973) as Tessa
• Gross Paris (1974) as
• Playing with Fire (1975) as Tania, the girl with the dogs
• Sensuous Doll (1973) as la modèle
• Successive Slidings of Pleasure (1974) as Soeur Maria
• C'est bon pour la santé (1975) as Marie-France, une fausse scandinave
• Flat Out (1975) as

Career Highlights:

• Anatomie d'un meurtre (1986)
• Lamerique (1974)
• Seven Women for Satan (1975)
• The Bitches (1973)
• Gross Paris (1974)
• Playing with Fire (1975)
• Sensuous Doll (1973)
• Successive Slidings of Pleasure (1974)
• C'est bon pour la santé (1975)
• Flat Out (1975)

Nathalie Zeiger, born in France, rose to prominence as an actress in the 1970s. She starred in 'Glissements progressifs du plaisir' (1974), a film that revolves around a young woman questioned by authorities after her roommate's mysterious death. The story explores themes of desire and suspicion surrounding Zeiger's character, suspected of being a modern witch with unexplained powers.

Alternate Names: Sylvia Maria Kristel, سیلویا کریستل, სილვია კრისტელი, 西尔维娅·克里斯蒂

Physical Characteristics: N/A

First Appearances:

• Because of the Cats (1973) as Hannie Troost

Most Important Roles:

• The Fifth Musketeer (1979) as Maria Theresa
• Emmanuelle (1974) as Emmanuelle
• Alice or the Last Escapade (1977) as Alice Caroll
• The Nude Bomb (1980) as Agent 34
• Emmanuelle: The Joys of a Woman (1975) as Emmanuelle
• Emmanuelle 4 (1984) as Sylvia
• Lady Chatterley's Lover (1981) as Lady Constance Chatterley
• Private Lessons (1981) as Mallow
• The Big Bet (1985) as Michelle
• The Concorde... Airport '79 (1979) as Isabelle

Career Highlights:

• The Fifth Musketeer (1979)
• Emmanuelle (1974)
• Alice or the Last Escapade (1977)
• The Nude Bomb (1980)
• Emmanuelle: The Joys of a Woman (1975)
• Emmanuelle 4 (1984)
• Lady Chatterley's Lover (1981)
• Private Lessons (1981)
• The Big Bet (1985)
• The Concorde... Airport '79 (1979)

Sylvia Kristel was born on September 28, 1952, in Utrecht, Netherlands to parents Jean-Nicholas and Piet. She rose to fame as a Dutch model, singer, and actress. Notably, she starred in the 1981 film adaptation of D.H. Lawrence's novel 'Lady Chatterley's Lover', portraying the title character who finds herself torn between her love for her husband and her physical desires after he becomes impotent.

First Appearances:

• Trans-Europ-Express (1966) as la vendeuse

Most Important Roles:

• La chatte sur un doigt brûlant (1975) as Marie, la bonne des Lalyre
• Infidélités (1975) as Prune
• Trans-Europ-Express (1966) as la vendeuse
• The Bitches (1973) as Martine
• There's a Bone in the Mill (1974) as
• Weekend (1967) as Marie-Madeleine (uncredited)
• Cry of the Heart (1974) as
• Salut Berthe ! (1968) as Adulterous wife (uncredited)
• Clodo (1971) as Aurélie
• Playing with Fire (1975) as The whore (uncredited)

Career Highlights:

• La chatte sur un doigt brûlant (1975)
• Infidélités (1975)
• Trans-Europ-Express (1966)
• The Bitches (1973)
• There's a Bone in the Mill (1974)
• Weekend (1967)
• Cry of the Heart (1974)
• Salut Berthe ! (1968)
• Clodo (1971)
• Playing with Fire (1975)

"In France, it is rumored that women don their finest undergarments. Among them is Virginie Vignon, whose name, like a pleasing rhyme, could introduce another 'V' in her bare initiation, Le Jeu avec le feu (1975). Virginie bares all for the audience, revealing her assets. Her nether regions differ from her hair color, yet no objections seem raised. In Les Vécés étaient fermés de l'intérieur (1976), Virginie drips sex appeal from her breasts—sweet to behold, but unfortunately, it marks her final appearance."