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Duration: 306 sec. | Nudity: yes | Creator: unknown |
New Filesize: N/A | Sound: yes | Old Filesize: 190 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1280x720 | Added: 2018-Feb-05 |
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Alternate Names: Sylvie Voyer, Sylvie Voyer, Sylvie Voyet, Sylvie Voyet
Physical Characteristics: N/A
First Appearances:
Most Important Roles: N/A
Career Highlights:
Sylvie Testud, born January 17, 1971 in Lyon, was raised by her mother after her parents separated when she was two. She studied history and acting in Paris, joining Cours Florent and later the Conservatory under Jacques Lassalle and Catherine Hiegel. Her early roles included The Story of the Boy Who Wanted to Be Kissed (1994) and Le Plus Bel Age... (1995). In 1997, she gained international recognition with Beyond Silence, winning a German Film Prize for Best Actress after learning German, clarinet, and sign language. She received her first French César nomination in 1998 for Karnaval. Notable performances followed, including La Captive (2000) and Les Blessures assassines (2001), earning another César nomination.
Release Year: 2000
Nation: N/A
Alternative Title: Las hermanas, O Caso das Irmãs Assassinas, Убийственные раны, Murderous Maids
Director: Jean-Pierre Denis
Writer: Jean-Pierre Denis, Michèle Pétin, Paulette Houdyer
Producer(s): N/A
Companies: N/A
Genre: Biography, Drama
Awards:
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On February 2nd, 1933, in Le Mans, France, sisters Christine Papin (27) and Léa Papin (21) brutally murdered their employer Madame Ancelin and her daughter Geneviève. The film explores the possible motivations behind this horrifying crime, including an unhappy childhood, resentment towards bourgeois employers, and exposure of an incestuous relationship between the sisters.
Les blessures assassines is a 2000 French biographical drama directed by Jean-Pierre Denis. It's based on the true story of the Papin sisters who committed a gruesome murder in Le Mans in 1933. The film aims to understand and explain why these two women, who were once 'meek sheep', turned into 'bloody monsters'. It explores themes of sisterly bonding, class struggle, and psychological turmoil.