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Duration: 179 sec. | Nudity: yes | Creator: Ruffah |
New Filesize: N/A | Sound: yes | Old Filesize: 141 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1808x1080 | Added: 2018-Jan-05 |
Birth Name: Bulle Ogier
Birth Date: 1939-08-09
Birth Place: Boulogne-Billancourt, Seine [now Hauts-de-Seine], France
Alternate Names: Marie-France Thielland
Physical Characteristics: N/A
First Appearances:
Most Important Roles:
Career Highlights:
Bulle Ogier, born Marie-France Thielland on August 9, 1939, is a French actress known for her roles in numerous films by renowned directors such as Jacques Rivette ('L'Amour fou', 'Céline et Julie vont en bateau'), Luis Buñuel ('Le charme discret de la bourgeoisie'), and Barbet Schroeder (her husband). She made her screen debut in 'Voilà l'Ordre'. Ogier's daughter, Pascale Ogier, was also an actress. One of her notable roles is in the 1976 film 'Maîtresse', directed by Barbet Schroeder, where she plays a professional dominatrix who falls in love with a thief (played by Gérard Depardieu).
Release Year: 1976
Nation: France
Alternative Title: Mistress, Господарка, A Dama do Prazer, Любовница-хозяйка
Director: Barbet Schroeder
Writer: Barbet Schroeder, Paul Voujargol
Awards: N/A
Similar:
Keywords: bdsm, dominatrix, eroticism, thief, wine
In 'Maîtresse', thief Olivier breaks into the house of Ariane, an affluent woman who turns out to be a dominatrix. Despite their unconventional encounter, they develop feelings for each other and embark on an impulsive romance. Olivier returns periodically to see Ariane, eventually becoming more involved in her profession. However, when he discovers that Ariane has a son, his desire to 'fix' her leads him to attempt to change her lifestyle.
'Maîtresse', directed by Barbet Schroeder in 1976, is a French drama-romance film that explores the complex dynamics of an unconventional relationship between a thief and a dominatrix. The movie challenges societal norms around relationships and sexuality, focusing on the development of an impulsive romance between Olivier and Ariane despite their differing worlds and professions. While not extensively detailed in the provided sources, the film is set amidst themes of eroticism, power dynamics, and redemption.