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Duration: 1228 sec. | Nudity: yes | Creator: Ruffah |
New Filesize: N/A | Sound: yes | Old Filesize: 325 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 720x544 | Added: 2016-Jun-22 |
Alternate Names: Laura M. Gemser, Laurette Gemser, Laurette M. Gemser, Laurette Marcia Gemser, Moira Chen, Moira Chen, Emanuelle, Laura M. Gemser, Laurette M. Gemser, Lora Gemzer, Moira Chen, لورا جمسر, 劳拉·贾姆瑟
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Laura Gemser (born October 5, 1950 in Java, Indonesia) is a Dutch-based actress of Indo descent known for her work with directors Joe D'Amato and Bruno Mattei, particularly in exploitation-style and Black Emanuelle films. Born in Indonesia, she moved to the Netherlands at age four and grew up in Utrecht, attending MULO Regentesseschool high school and Artibus Art School for fashion design before moving to Italy in 1975. After modeling, Gemser began acting in soft erotic films and gained international recognition through her roles in Black Emanuelle films in the 1970s. Her career lasted from 1974 until 1991.
Detailed biography for Unknown Girls not available.
Release Year: 1981
Nation: N/A
Alternative Title: Love Cult, Divine Emanuelle, Culte d'amour, Love Camp, El campo del amor, Love camp - rakkauden leiri, Rakkauden jumalatar, Camp d'amour, L'amour au club - Love Camp, Divine Emanuelle: Love Cult
Director: Christian Anders
Writer: Christian Anders
Producer(s): N/A
Companies: N/A
Genre: Erotic Film
The story revolves around the young daughter of a U.S. Senator who becomes involved with a cult known as 'The Children of Light'. She is drawn into this hippie 'free love' community by the blond boyfriend of the cult's leader, a mysterious Asian woman. However, it is soon revealed that the cult is not what it appears to be and does not practice free love.
Die Todesgöttin des Liebescamps (1981) is an erotic film directed by Christian Anders. The movie explores themes of cults, manipulation, and the darker side of seemingly harmless counterculture movements. It centers around a young woman's journey into a hippie commune, highlighting the deceit and exploitation hidden beneath its exterior.