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Duration: 522 sec. | Nudity: yes | Creator: Ruffah |
New Filesize: N/A | Sound: yes | Old Filesize: 136 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 720x400 | Added: 2016-Feb-29 |
First Appearances:
Most Important Roles:
Career Highlights:
Edwige Fenech was born to Maltese and Sicilian parents in Bône, French Algeria (now Annaba, Algeria). She rose to fame in European cinema from the late 1960s to early 1980s, notable for erotic comedies directed by Franz Antel. Fenech also starred in giallo films like 'Five Dolls for an August Moon'. In the 1980s, she became a TV personality alongside Barbara Bouchet. She was engaged to Italian industrialist Luca di Montezemolo in the mid-1990s. After focusing on movie production, Fenech returned to acting in 'Hostel: Part II' (2007) and appeared as an inspiration for a character in Quentin Tarantino's 'Inglourious Basterds'. Her filmography includes various unrelated Italian comedic sketches.
Release Year: 1973
Nation: N/A
Alternative Title: The Winsome Widow, Uma Viúva à Italiana, Consolar a la viuda italiana, La viuda inconsolable agradece a los que la consolaron, I hira kai oi... poniries tis, A Viúva Inconsolável, The Inconsolable Widow Thanks All Those Who Consoled Her
Director: Mariano Laurenti
Writer: Aldo Grimaldi, Giovanni Grimaldi
Producer(s): N/A
Companies: N/A
Genre: Comedy, Comedy Film
La vedova inconsolabile ringrazia quanti la consolarono (1973) follows the fortunes of Caterina, a beautiful woman whose wealthy husband Salvatore dies in a car accident. To collect her late husband's substantial inheritance, she must give birth to a child. The film revolves around Caterina's attempts to fulfill this condition, navigating the comedic challenges that arise along the way.
Directed by Mariano Laurenti and released in 1973, La vedova inconsolabile ringrazia quanti la consolarono is an Italian comedy film that centers around a widow's predicament. With limited source material available, the primary focus is on the plot summary provided. The film is classified under the genres 'Comedy' and 'Comedy Film,' suggesting a humorous take on its central premise.