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Duration: 34 sec. | Nudity: yes | Creator: zorg |
New Filesize: N/A | Sound: yes | Old Filesize: 19 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1200x720 | Added: 2015-Jan-01 |
Birth Name: Martine Brochard
Birth Date: 1944-04-02
Birth Place: Neuilly-sur-Seine, Hauts-de-Seine, France
First Appearances:
Most Important Roles:
Career Highlights:
Martine Brochard, born in Paris in 1944, debuted in French cinema with a minor role in François Truffaut's 'Baisers volés' (1968). She moved to Italy in 1970 and became known for her work in Italian genre films, TV series, and theater. Brochard has also written two collections of children's stories. In 2003, she was diagnosed with leukemia but recovered.
Release Year: 1968
Nation: N/A
Alternative Title: La hora del amor, Beijos Proibidos, Beijos Roubados, Ukradene polibky, Stjålne kys, Varastatud suudlused, Besos robados, Varastettuja suudelmia, Klemmena filia, Lopott csókok, Baci rubati, Yorugiri no koibito-tachi, Gestolen kussen, Stjålne kyss, Skradzione pocalunki, Sarutari furate, Ukradeni poljupci, Stulna kyssar, Ukradeni poljubi, Украденные поцелуи, Çalinan buseler, Stolen Kisses, Geraubte Küsse
Director: N/A
Writer: N/A
Producer(s): N/A
Companies: N/A
Genre: Romantic Comedy
Baisers volés (Stolen Kisses) is a romantic comedy directed by François Truffaut in 1968. The film follows Antoine Doinel (Jean-Pierre Léaud), a young man who has just been released from jail for theft. Upon his release, he meets a woman named Christine Darbon (Claude Jade) on a bus and they begin a relationship. Antoine gets a job as an apprentice in a factory but is soon fired after being caught stealing by the owner's daughter, Fabienne Tabard (Delphine Seyrig). Antoine then becomes involved with a series of women, including Fabienne, while Christine remains faithful to him. The film explores Antoine's relationships and his eventual realization that Christine is the one he truly loves.
Baisers volés is the third installment in François Truffaut's 'Antoine Doinel' series, following The 400 Blows (1959) and Antoine and Colette (1962). It continues the story of Antoine Doinel, a young man navigating his way through life. The film is notable for its comedic take on relationships and Truffaut's signature style of storytelling. It explores themes of love, loyalty, and the complexities of human relationships.