Scène de Óscar. Una pasión surrealista (2008)
Détails de la scène
| Durée: 66 sec.. | Nudité: yes | Créateur: Ruffah |
| Nouvelle taille de fichier: Loading... | Son: yes | Ancienne taille de fichier: 18 mb |
| Format de fichier: AOMedia Video 1 (WebM/AV1) | Résolution: 720x384 | Ajouté: 2014-07-10 |
Actrices dans cette scène
Nom de naissance: Clara Isabel Prinz Mederos
Date de naissance: 1956-06-25
Lieu de naissance: Caracas, Libertador Municipality, Venezuela
Détails
Noms alternatifs: Clara Isabel Prinz, Clarisa Prinz
Caractéristiques physiques:
Carrière
Premières apparitions:
Rôles les plus importants:
Points forts de carrière:
Biographie complète
Isabel Prinz was born in Gran Canaria, Canary Islands, Spain. She is known for 1492: Conquest of Paradise (1992) , Policía (1987) and Zorro (1990) .
À propos du film: Óscar. Una pasión surrealista (2008)
Titre alternatif: Óscar - El color del destino, Oscar: The Color of Destiny
Réalisateur: Lucas Fernández
Scénariste: Eduardo del Llano, Lucas Fernández
Production & Genre
Producteur(s): producer: Lucas Fernández
line producer: Marta Miró
associate producer: Miguel Torrente
Sociétés: Production company, Report Line
Récompenses & Similaires
Récompenses:
Similaire: N/A
Mots-clés
Mots-clés: art, bohemian, disfigurement, elephantism, fancy party, female female kiss, female frontal nudity, female full frontal nudity, female nudity, illness, loneliness, nazi, nazi occupation, painter, paris france, self loathing, spaniard, suicide, surrealism, world war two
Histoire
"Óscar. The Color of Destiny" is a revealing portrayal of a forgotten icon of French Surrealism: Spanish painter Óscar Domínguez, contemporary of Picasso. The film rediscovers the life of a talented artist who was ignored after he committed suicide, fifty years ago, victim of a serious illness which had disfigured his body: the Elephant Man's disease. The film is stirring and touching and compels admiration for the bohemian painter whose fate was self-destruction, after a wild crazy life. Lucas Fernández turns the life of a debauchee, who regarded himself a monster because of his disfiguring disease, into a universal story where art is the product of love and loneliness, of sex and violence before, during and after the Nazi invasion of Paris.
Résumé
"Óscar. The Color of Destiny" illuminates the tragic tale of Óscar Domínguez, a Spanish surrealist painter contemporaneous with Picasso, who was cruelly overlooked after his suicide fifty years ago. Disfigured by Proteus syndrome, the 'Elephant Man's disease,' Domínguez saw himself as a monster, yet his art reflected profound beauty. Lucas Fernández's film is a poignant exploration of Domínguez's wild life and untimely death, presenting art as a product of love, loneliness, passion, and violence, set against the backdrop of Nazi-occupied Paris.