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Duration: 27 sec. | Nudity: yes | Creator: CelebTA |
New Filesize: N/A | Sound: yes | Old Filesize: 4 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 668x500 | Added: 2009-Apr-23 |
Alternate Names: Ineda King, Ineda King, Marilyn Joy, T.A. King, Tracy Ann King, Tracy King, T.A. King, Tracy Ann King, Tracy King, Tracy-Ann King, Tracy-Ann King
Physical Characteristics: N/A
First Appearances:
Most Important Roles: N/A
Career Highlights:
Marilyn Joi is an American actress who rose to prominence during the 1970s, primarily appearing in exploitation films. She notably starred in several movies directed by Al Adamson and played significant roles such as Velvet in 'Ilsa, Harem Keeper of the Oil Sheiks' and Cleopatra Schwartz in 'Kentucky Fried Movie'. Joi's acting career was marked by her appearances in B-movies and low-budget productions.
Release Year: 1977
Nation: United States of America
Alternative Title: Hamburger film sandwich, Hei me nauretaan, Hej, vi skrattar, I trella den ehei oria, Kino z Kenthucky Fried Theater, Locura yanqui, Made in USA, Ridere per ridere, To pio trello theama ston kosmo
Director: John Landis
Writer: David Zucker, Jerry Zucker, Jim Abrahams
Producer(s):
Companies: Kentucky Fried Theatre, Taurus Film, United Film Distribution Company (UFDC)
Genre: Comedy
Awards: N/A
Similar:
Keywords: commercial, journalism, manipulation of the media, satire, sketch comedy, television producer, tv ratings
Kentucky Fried Movie is an ensemble comedy film consisting of various sketches that parody different genres and aspects of popular culture in the late 1970s. The segments are loosely connected and include spoofs on news programs, commercials, adult films, kung-fu movies, disaster films, blaxploitation films, spy thrillers, mafia movies, and the concept of being watched through television.
Released in 1977, Kentucky Fried Movie is a satirical sketch comedy directed by John Landis. The film serves as a commentary on various aspects of popular culture during its time, including journalism, media manipulation, and the fear of constant surveillance. Despite not having an overarching narrative or recurring characters, the movie's various segments are tied together by their shared comedic purpose.