|
|
Scene from Beneath the Valley of the Ultra-Vixens (1979)
Scene Details
| Duration: 66 sec. | Nudity: yes | Creator: CelebTA |
| New Filesize: N/A | Sound: yes | Old Filesize: 8 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 668x500 | Added: 2007-Dec-10 |
Actresses in this Scene
Detailed biography for Ann Marie (1) not available.
About the Movie: Beneath the Valley of the Ultra-Vixens (1979)
Release Year: 1979
Nation: United States of America
Alternative Title: Im tiefen Tal der Superhexen, Más allá del valle de las ultrazorras, Russ Meyer's Ultra Vixens, Ultra Vixens
Director: Russ Meyer
Writer: Roger Ebert, Russ Meyer
Production & Genre
Producer(s):
Companies: RM Films International
Genre: Comedy, Comedy Film, Erotic Film
Awards & Similar
Awards:
Similar:
Keywords
Keywords: employer employee relationship, erotic movie, eroticism, older woman younger man relationship, satire, striptease, voyeur
Story
In Smalltown USA, Levonna and Lamar could have an ideal relationship but for Lamar's fixation on rear entry, leading to frequent sexual frustrations for Levonna. Exasperated, Levonna devises a plan involving a wig and Mexican accent to become 'Lola'. Meanwhile, Lamar searches for others to indulge his preferred technique. During a drunken night, Lola seduces Lamar, but he remains unconscious throughout the act. Subsequently, Lamar seeks counsel from a gay marriage therapist who is himself attracted to Lamar's issue. Unable to resolve their problems through conventional means, Lamar ultimately turns to Sister Eufaula Roo at Rio Dio Radio's church for redemption.
Summary
Beneath the Valley of the Ultra-Vixens (1979) is a comedy-erotic film directed by Russ Meyer, known for his exploitation films. Set in Smalltown USA, the movie explores the unconventional sexual dynamics between Levonna and Lamar, focusing on Lamar's rear entry obsession. The story satirizes societal norms and expectations surrounding sexuality, presenting humorous yet provocative situations involving Voyeurism, employer-employee relationships, and older woman-younger man dynamics. Despite its erotic nature, the film is more about absurd comedy than genuine eroticism.