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Scene from La caduta degli dei (1969)
Scene Details
| Duration: 241 sec. | Nudity: yes | Creator: Once |
| New Filesize: N/A | Sound: no | Old Filesize: 12 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 544x416 | Added: 2005-Dec-24 |
Actresses in this Scene
Ingrid Thulin
Birth Name: Ingrid Thulin
Birth Date: 1926-01-27
Birth Place: Sollefteå, Västernorrlands län, Sweden
Details
Alternate Names: Ingrid Tulean, Ingrid Lilian Thulin, Ингрид Тулин
Physical Characteristics: N/A
Career
First Appearances:
Most Important Roles:
Career Highlights:
Full Biography
Ingrid Lilian Thulin was born on January 27, 1926, in Sollefteå, Ångermanland, Sweden. She trained in ballet and joined The Royal Dramatic Theatre in Stockholm in 1948. Known for her collaborations with Ingmar Bergman, she appeared in films like 'Wild Strawberries' (1957) and 'The Silence' (1963). Thulin won the Best Actress award at Cannes Film Festival in 1958 and a Guldbagge Award in 1964. She was married to Harry Schein for over three decades, living separately before their divorce in 1989. Thulin resided in Paris, Italy, and Sweden, returning to Sweden for medical treatment where she died on January 7, 2004.
About the Movie: La caduta degli dei (1969)
Release Year: 1969
Nation: N/A
Alternative Title: The Damned, Die Verdammten
Director: Luchino Visconti
Writer: Enrico Medioli, Luchino Visconti, Nicola Badalucco
Production & Genre
Producer(s): N/A
Companies: N/A
Genre: Art Film, Drama, Lgbt-Related Film, War
Awards & Similar
Awards:
Similar: N/A
Story
In 'La caduta degli dei', the wealthy Von Essenbeck family gathers for dinner in 1934 at their estate during a time of political turmoil in Germany. During the evening, two young girls recite poetry and play hide-and-seek with their cousin Martin. Suddenly, there is a scream from the baron's room; he has been shot with their father's gun. The father flees the country immediately afterwards.
Summary
'La caduta degli dei' (1969) is an art film directed by Luchino Visconti that explores the dynamics of power and familial relationships during the early years of Nazi Germany's rise. The film focuses on a single, dramatic event at a family dinner in 1934, which serves as a catalyst for change and upheaval among the aristocratic Von Essenbeck family.