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Duration: 72 sec. | Nudity: yes | Creator: TemperJames |
New Filesize: N/A | Sound: yes | Old Filesize: 11 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 320x240 | Added: 2005-May-01 |
Alternate Names: Virginie Le Doyen, Virginie Fernandez, Virginie Fernández, Βιρζινί Λεντουαγέν, Βιρζινί Φερνάντεζ, ویرژینی لدواین, ヴィルジニー・ルドワイヤン
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Virginie Ledoyen, born Virginie Fernandez on 15 November 1976, is a French actress and model who began her career at age two with television advertisements. She started acting lessons at nine and made her film debut at ten in 'Les exploits d'un jeune Don Juan' (1986). Ledoyen was nominated for the César Award for Most Promising Actress three times between 1993 and 1995. Her international breakthrough came in 1999 when she became an ambassador for L'Oréal, leading to her role in 'The Beach' (2000) with Leonardo DiCaprio.
Release Year: 1998
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Alternative Title: Jeanne and the Perfect Guy
Director: Jacques Martineau, Olivier Ducastel
Writer: Jacques Martineau, Olivier Ducastel
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Genre: Drama, Musical, Musical Film, Romance
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Jeanne, a woman with a seemingly insatiable appetite for love, meets Olivier on a subway during an impromptu encounter. She feels a connection unlike any other and finds herself deeply in love. However, Olivier reveals to Jeanne that he has AIDS, which he contracted through heroin use. Despite this revelation, Jeanne's feelings remain unchanged, and she wants to care for him. The two share a common friend who is an AIDS activist but are unaware of it. Olivier becomes severely ill, and Jeanne confesses her love and infidelity to him before they part ways. She returns to the hospital to find that he has left with his parents without leaving a forwarding address. Much time passes, and Jeanne learns from a mutual acquaintance on the subway that Olivier has passed away.
Directed by Jacques Martineau and Olivier Ducastel, 'Jeanne et le garçon formidable' (1998) is a French drama-romance with musical elements. The film explores themes of love, loss, and societal indifference towards HIV/AIDS, particularly among marginalized communities like heroin users. It follows Jeanne's journey as she navigates her feelings for Olivier while grappling with the reality of his illness and eventual death. The story also touches on broader social issues such as economic dependency on credit cards and class divisions between immigrant workers, soldiers, and the upper class.