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Duration: 68 sec. | Nudity: yes | Creator: Jazz |
New Filesize: N/A | Sound: yes | Old Filesize: 8 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 320x240 | Added: 2005-May-01 |
Alternate Names: Amy Hite, Ahmo Kathleen Hight
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Ahmo Hight, born in Serbia, is an actress and fitness/swimsuit model who gained prominence for her roles in 'Anna Nicole Smith: Exposed' (1998), 'Hotel Exotica' (1999) and 'Insatiable Wives' (2000).
Alternate Names: Anna Nicole, Vicki Smith, Vickie Lynn Hogan, Vickie Lynn Marshall, Vickie Smith, Nikki Hart, Vickie Lynn Hogan, Vickie Lynn Marshall, Vickie Lynn Smith, Vicky Smith, آنا نیکول اسمیت
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Anna Nicole Smith (November 28, 1967 - February 8, 2007) was an American model, actress, and television personality who gained fame as the 1993 Playmate of the Year for Playboy magazine. She married oil business mogul J. Howard Marshall in 1994, despite being 62 years her senior, which sparked speculation about her motives. After his death, Smith engaged in a lengthy legal battle over a share of his estate, with her case reaching the U.S. Supreme Court. Her life was marked by personal tragedies and controversies, including the death of her son Daniel and a paternity and custody battle for her daughter Dannielynn, before she died from an overdose of prescription drugs in 2007.
Release Year: 1998
Nation: United States of America
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Director: Anna Nicole Smith, Raymond Martino
Writer: Anna Nicole Smith, Raymond Martino
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Keywords: blonde, breast, erotic vignettes, model, playboy
Anna Nicole Smith: Exposed
Anna Nicole Smith: Exposed is a documentary-style film that provides an intimate glimpse into the life of its titular subject, Anna Nicole Smith herself. Directed by Anna Nicole Smith and Raymond Martino in 1998, this unique movie offers a fictionalized yet revealing look into a typical day in the life of former Playboy model and grieving widow, Anna Nicole Smith.
The film is structured around a 'normal' day in Anna's life, with her narrating her thoughts and feelings about various aspects of her daily existence. From interacting with her servants (both male and female), cooks, drivers, friends, lawyers, photographers, to her reflections on her bed, bath-tub, and even her camera, Anna offers an unfiltered perspective on the people and events that shape her world.
Despite being a documentary, the film is not strictly factual but rather a series of erotic vignettes, each exploring different aspects of Anna's life. These scenes provide insight into Anna's character, her relationships with others, and her experiences as a high-profile model and widow.
The film does not follow a traditional narrative structure, instead weaving together these various moments to create a mosaic-like portrait of its subject.