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Scene from Corporate Ladder (1997)
Scene Details
| Duration: 56 sec. | Nudity: yes | Creator: erotic4u |
| New Filesize: N/A | Sound: no | Old Filesize: 10 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 384x284 | Added: 2005-May-01 |
Actresses in this Scene
Lisa Marie Scott
Details
Alternate Names: Playboy Playmate of the Month February 1995
Physical Characteristics: N/A
Career
First Appearances:
Most Important Roles:
Career Highlights:
Full Biography
Lisa Marie Scott was Playboy's Miss February 1995.
About the Movie: Corporate Ladder (1997)
Release Year: 1997
Nation: United States of America
Alternative Title: The Corporate Ladder, Escalada do Poder, Eine tödliche Blondine, Charmante promotion, Ambizione fatale
Director: Nick Vallelonga
Writer: Christopher Reed, Greg Mellott, Nick Vallelonga
Production & Genre
Awards & Similar
Awards: N/A
Similar:
Keywords
Keywords: extramarital affair, fatal attraction
Story
Corporate Ladder follows Matt, an up-and-coming advertising executive, who is on the brink of securing a major deal with a jeans company. Enter his new assistant, Kathleen Kinmont, who impresses not only Matt but also the client, winning the deal for him. However, Kinmont has her sights set not just on career advancement but also on Matt himself. Despite being married to Talisa Soto and expecting their child, Matt succumbs to Kinmont's charms and begins an affair with her. Meanwhile, Ben Cross, Matt's associate/rival, coerces women into sexual favors to advance their careers. As the film progresses, it becomes clear that Kinmont is not just a love interest but a dangerous force, leading to a deadly conclusion reminiscent of Fatal Attraction.
Summary
Corporate Ladder (1997) is a thriller directed by Nick Vallelonga and originally aired on the Playboy Channel. It's filled with pseudo-erotica and features strong performances from Kathleen Kinmont as Matt's seductive assistant, Anthony Denison as the conflicted Matt, and Ben Cross as Matt's sleazy associate. The film explores themes of ambition, power, and infidelity in the corporate world, downplaying morality in its exploration of these themes. Despite some repetitive dialogue, it sustains interest throughout.