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Scene from J'aimerais pas crever un dimanche (1998)
Scene Details
| Duration: 66 sec. | Nudity: yes | Creator: Charlie/Defoe |
| New Filesize: N/A | Sound: yes | Old Filesize: 8 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 640x350 | Added: 2005-May-01 |
Actresses in this Scene
Élodie Bouchez
Birth Name: Élodie Bouchez
Birth Date: 1973-04-05
Birth Place: Montreuil-sous-Bois, Seine-Saint-Denis, Île-de-France, France
Details
Alternate Names: Elodie Bouchez
Physical Characteristics: N/A
Career
First Appearances:
Most Important Roles: N/A
Career Highlights:
Full Biography
"Élodie Bouchez, a Parisian actress renowned for her captivating charm and distinctive features, including her dark, expressive eyes and voluminous curves, stands out among French actresses. Born in Montreuil-sous-Bois, Seine-Saint-Denis, Île-de-France, France, Élodie embarked on her acting career in 1989 with the series 'Les compagnons de l'aventure'. She subsequently appeared in films such as 'Stan the Flasher' (1990), 'The Stolen Diary' (1992), and 'La lettre inachevée' (1993). However, she gained international recognition for her role in 'CQ' (2001), a homage to 'Barbarella', where she appeared nude. While her work has been featured in some independent American productions like 'Shooting Vegetarians' (2000), Élodie's performances are most appreciated within French cinema. Mr. Skin recommends viewing films such as 'Le Plus bel âge' (1995), 'Zonzon' (1998), and 'Too Much Flesh' (2000) to fully appreciate her acting prowess. Notably, in 'The Imperialists Are Still Alive!' (2010) and 'Happy Few' (2010), Élodie delivers full-frontal nudity and bare-bottom scenes. Fans eagerly await more of her work, as her talent and physique are truly a feast for the eyes, much like a rich croissant."
About the Movie: J'aimerais pas crever un dimanche (1998)
Release Year: 1998
Nation: N/A
Alternative Title: Don, t Let Me Die on a Sunday, Den lille død, No quiero morir un domingo, Låt mig inte dö på en söndag
Director: Didier Le Pêcheur
Writer: Didier Le Pêcheur
Production & Genre
Producer(s): N/A
Companies: N/A
Genre: Drama
Story
The movie 'J'aimerais pas crever un dimanche' (1998) follows Ben, a morgue worker whose wife left him and who explores alternative sexualities. The film's central event occurs when Teresa, a woman brought to the morgue after an ecstasy overdose, comes back to life in Ben's arms. This resurrection serves as the catalyst for the story, which revolves around the interactions between Ben, Teresa, and other characters such as Boris (an orgy fan), Abdel (who has no emotional attachments), Ducon (who wants to kill himself), and Nico (who is dying of AIDS). The narrative explores their relationships and experiences against the backdrop of a social study of 1990s France with heavy references to sex and death.
Summary
Directed by Didier Le Pêcheur, 'J'aimerais pas crever un dimanche' is a dramatic exploration of 1990s French society. The film is notable for its candid portrayal of alternative lifestyles and the societal norms of the time. Centered around resurrection as a metaphor, it delves into themes of life, death, and the human connections that bind us. Although details about some characters' storylines are limited in available sources, the core narrative revolves around Ben's encounter with Teresa and their subsequent interactions within a diverse social circle.