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Duration: 2733 sec. | Nudity: yes | Creator: supers992 |
New Filesize: N/A | Sound: yes | Old Filesize: 1,980 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1788x1080 | Added: 2021-Dec-14 |
Alternate Names: Gaelle Legrand
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Gaëlle Legrand, a French actress known for her distinctive curly hair, began her film career with notable appearances that often emphasized her nudity, which has earned her recognition from appreciative viewers like Mr. Skin. She debuted as Marceline Cain in the 1979 film "Immoral Women," where she played alongside a white rabbit named Souci, but it was her revealing nudity that truly caught attention and earned forgiveness for any perceived impropriety.
The following year, Legrand reprised her bold approach to acting in "Tendres cousines" (also known as "Tender Cousins") as Mathilde, sharing an intimate scene with a prepubescent boy. However, she offered viewers a brief respite from her nudity when portraying Zepp in "Pile ou face" (or "Heads or Tails"), where she kept her lower half concealed while still showcasing her titillating twosome.
Legrand returned to full frontal nudity as the fairy Huguette in the Snow White parody "Elle voit des nains partout!" (or "She sees dwarves everywhere!"). She continued to bare all, or at least a glimpse of her intimate areas, in "Circulez y'a rien à voir" (or "Move along, there’s nothing to see") as Martine.
Beyond her nude roles, Legrand is also celebrated for her performances in films such as "Clara et les Chics Types" (or "Clara and the Chic Guys") with Isabelle Adjani; "The Party 2" alongside Sophie Marceau; and "Zone Red," directed by Robert Enrico who had previously helmed "Heads or Tails."
While Legrand's career is marked by her willingness to bare all, it's clear that her talent extends beyond mere nudity, as evidenced by her diverse filmography. However, Mr. Skin would likely still choose to appreciate both heads and tails—and everything in between—in Gaëlle Legrand's notable film appearances.
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Marina Pierro, born between 1956 and 1960, is an Italian actress, model, writer, and film director known for her artistic relationship with Polish filmmaker Walerian Borowczyk. She began her film career with minor roles in the late 1970s, notably appearing in Luchino Visconti's 'The Innocent' and Dario Argento's 'Suspiria'. Pierro's first prominent role was as Sister Veronica in Borowczyk's 'Interno di un Convento' (1978). Their collaboration lasted approximately ten years, with five completed films. Since the late 1980s, Pierro has directed three short films: 'In Versi' (2008), 'Himorogi' (2012), and 'Floaters' (2016).
Birth Name: Pascale Christophe
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Pascale Christophe is known for her role as Marcéline, one of three 'Heroines of Evil,' in the 1979 film 'Les héroïnes du mal.' This character, introduced at age 14, was unique for her love not for a person but for a large rabbit named Souci. The movie is composed of three erotic tales, each featuring a woman and her story.
Release Year: 1979
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Alternative Title: Heroines of Evil, Heroines of Pain, Three Immoral Women, Tres mujeres inmorales, As Heroínas do Mal, Pahuuden jumalattaret, Oi iroides tou kakou, Tre donne immorali?, Heldinnen van het Kwaad, Heroiny zla, Immoral Women, Unmoralische Engel
Director: Walerian Borowczyk
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Genre: Drama, Erotic Film, Film Based On Literature
The film 'Les héroïnes du mal' presents three interconnected tales of women and their desires. The first story, 'Margherita,' revolves around Margherita Luti, a Roman baker's daughter who becomes Raphael Sanzio's lover and model. The truth about Raphael's death remains with her. In the second tale, 'Marcéline,' a 14-year-old girl named Marcéline has an unusual fascination with rabbits, hiding her dark side beneath her angelic appearance. Lastly, in 'Marie,' set in modern Paris, Marie, the wife of an art collector, is kidnapped by a gangster. César the dog secretly embarks on a mission to find his lover and avenge her.
'Les héroïnes du mal' is a 1979 film directed by Walerian Borowczyk, comprising three erotic tales connected through their exploration of women's desires and agency. Each story stands alone yet contributes to the overall themes of the film. The movie is based on literature, fitting into the genres of drama and erotic film.