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Duration: 1259 sec. | Nudity: yes | Creator: zorg |
New Filesize: N/A | Sound: yes | Old Filesize: 412 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 656x404 | Added: 2021-Aug-02 |
Alternate Names: Katia Berger, Katia Berger, Katja Berger, Katja Berger
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"Katya Berger's path to fame in show business was clear from the outset, given that her mother is Croatian singer and actress Hanja Kochansky. Her Austrian stepfather, William Berger, had also made his mark on Spaghetti Westerns. Thus, young Katya set her sights on cinematic stardom.
In 1978, she made her film debut in the Spanish-Italian drama 'Historia de Eva' (also known as 'Piccole labbra'). However, it wasn't until several years later that American audiences got a chance to appreciate her assets in 'Tales of Ordinary Madness' (1983), an adaptation of Charles Bukowski's works. In this film, Katya bares all in a steamy beach scene with Ben Gazzara.
Katya continued to heat up the screen with her risqué roles. She flashed her flesh in the BDSM horror flick 'Rosso sangue' (1981), and played a Parisian prostitute in the period piece 'Nana' (1982). Known as 'Nana, la vera chiave del piacere' in Italian, this film features Katya revealing all during various intimate scenes.
Despite the risks of overexposure, Katya went full frontal in the French-Italian drama 'The Moon in the Gutter' (1983), playing a lifeless body that even Gérard Depardieu can't resist feeling up."
Alternate Names: Francesca Romana Rivelli, Орнелла Мути, اورنلا موتی
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Ornella Muti, born Francesca Romana Rivelli on March 9, 1955 in Rome to Neapolitan father and Estonian mother, is an Italian actress known for her roles in Italian films like 'La moglie più bella' (1970) and international productions such as 'Flash Gordon' (1980). She has been married twice, firstly to actor Alessio Orano from 1975-1981, and secondly to Federico Facchinetti from 1988-1996. Muti has three children: Naike Rivelli, Andrea, and Carolina Facchinetti. Since 1998, she has been living with Stefano Piccolo, a plastic surgeon.
Alternate Names: Susan Tyrell, Susan Jillian Creamer, Сюзан Тайррелл
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Susan Tyrrell, born Susan Jillian Creamer on March 18, 1945, was an American character actress known for her talent in portraying downtrodden and outré characters. She began her career in New York City theater before making her film debut in 'Shoot Out' (1971). Tyrrell received critical acclaim for her roles; she was nominated for the Academy Award for Best Supporting Actress for 'Fat City' (1972) and won the Saturn Award for Best Supporting Actress for 'Bad' (1977). Her distinctive style earned her the description of having a 'whiskey-voiced' delivery.
Alternate Names: Tania Lopert
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Tanya Lopert, born on June 19, 1942 in New York City, is a French actress and daughter of Ilya Lopert. She has appeared in over seventy films since her debut in 1961. Some of her notable works include 'The Sleeping Car Murder' (1965), 'Carnage' (2011), and 'Viva la vie' (1984).
Release Year: 1981
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Alternative Title: Crônica de um Amor Louco, Bukowski - Ganz normal verrückt, Helt normal galskab, Ordinaria locura, Kaupungin kaunein tyttö, Conte de la folie ordinaire, Erotikes istories kathimerinis trellas, Istories kathimerinis trelas, A hétköznapi őrület meséi, Historia zwyklego szalenstwa, Contos da Loucura Normal, Siradan Delilik Öyküleri, Tales of Ordinary Madness
Director: Marco Ferreri
Writer: Anthony Foutz, Charles Bukowski, Marco Ferreri, Sergio Amidei
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Genre: Drama
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Storie di ordinaria follia follows Charles Serking, an alcoholic and sex addicted poet who has a sexual encounter with a young girl after giving a lecture to a group of bored students. He then travels to Los Angeles where he continues his promiscuous lifestyle, having sex with various women, each encounter growing more bizarre than the last. Upon meeting Cass, a gorgeous but self-destructive prostitute in a bar, Charles finds himself falling deeply in love.
Directed by Marco Ferreri and released in 1981, Storie di ordinaria follia is a drama that explores themes of addiction, self-destruction, and the search for connection. The film follows poet Charles Serking's sexual escapades as he travels to Los Angeles, each encounter revealing his increasing isolation despite his physical proximity with others.