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Duration: 839 sec. | Nudity: yes | Creator: zorg |
New Filesize: N/A | Sound: yes | Old Filesize: 817 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1920x1080 | Added: 2021-Mar-21 |
Birth Name: Caitlin Stainken
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Caitlin Stainken starred in the 2013 film '24 Exposures' as Billy, a fetish photographer who specializes in staged depictions of dead women. In the movie, Billy becomes involved in a murder mystery when one of his models turns up dead for real. A depressed police detective, Michael, investigates the crime and probes Billy about his photography choices. Billy struggles to explain his attraction to these ideas and women.
Birth Name: Caroline White
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Caroline White starred as Billy, a fetish photographer specializing in staged depictions of dead women, in the 2013 film '24 Exposures'. Billy's involvement in this world leads him to become entwined in a murder mystery when one of his models turns up dead. Throughout the film, Billy struggles to explain why he is drawn to these ideas and women.
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Helen Rogers is an American actress who starred in the 2013 film '24 Exposures'. The movie revolves around Billy, a fetish photographer specializing in staged depictions of dead women, who becomes involved in a murder mystery when one of his models turns up dead for real. Michael, a police detective, investigates the crime and probes Billy's fascination with this genre. Despite Billy's inability to fully explain his attraction to certain ideas and women, he and Michael develop a friendship, with Michael becoming more involved in Billy's photo shoots.
Birth Name: Lydia Hyslop
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Alternate Names: Lydia Hylslop
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Lydia Hyslop, originally from Greensboro, North Carolina, studied acting, writing, and directing at UNC-Greensboro before advancing her studies in Los Angeles. She has acted in films like 'White Reindeer', 'VACATION!', 'LUKE AND BRIE ARE ON A FIRST DATE', and appeared in Tim and Eric's short 'LA GUYZ'. Hyslop also directed and shot the Super 8 music video '999' for North Carolina band Paint Fumes, and made her feature film directorial debut with 'BURNOUT'. Her role and involvement in the movie '24 Exposures (2013)' are not specified in the provided texts.
Birth Name: Rosemary Plain
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Rosemary Plain starred in the movie 'Autoerotic' (2011). The film consists of four separate stories about the auto-sexual proclivities of Chicagoans, each exploring unique aspects of personal sexuality and relationships.
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Sophia Takal is an American actress, writer, and director known for her work in independent films such as 'All the Light in the Sky', 'Supporting Characters', and 'Gabi on the Roof in July'. In 2011, Filmmaker magazine recognized her as one of the '25 New Faces of Film'. Takal gained further recognition by directing and co-writing the 2019 remake of the horror classic 'Black Christmas'.
Release Year: 2013
Nation: United States of America
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Director: Joe Swanberg
Writer: Joe Swanberg
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Keywords: crime scene, model, murder, open relationship, photographer
Billy, a fetish photographer who specializes in staged depictions of dead women, finds himself entwined in a murder mystery when one of his models turns up dead for real. Michael, a melancholic cop tasked with investigating the crime, becomes suspicious of Billy due to his controversial photography style. As Michael probes Billy about his fascination with this world, they form an unlikely friendship. The detective grows more involved in Billy's photo shoots and their open relationship dynamics. Eventually, Michael uncovers the true killer.
24 Exposures (2013), directed by Joe Swanberg, is a psychological thriller that explores the blurred lines between art, fetishism, and crime. The film revolves around Billy, a photographer whose provocative work intersects with reality when one of his models meets her untimely demise. Detective Michael takes on the investigation, initially suspecting Billy due to his controversial photography style. As they delve deeper into each other's lives, their friendship develops amidst a backdrop of open relationships and artistic expression. The story challenges viewers' perceptions of exploitation, attraction, and the thin line between art and crime.