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Duration: 456 sec. | Nudity: yes | Creator: zorg |
New Filesize: N/A | Sound: yes | Old Filesize: 148 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 720x384 | Added: 2019-Jun-04 |
Alternate Names: Dagmar Lassander Garzelli
Physical Characteristics: N/A
First Appearances:
Most Important Roles:
Career Highlights:
Dagmar Lassander, born Angela Scharlock in Belgrade, Serbia on February 27, 1943, is known for her role as Angela in the film 'Peccati di gioventù' (1975). The story revolves around Angela's refusal to accept her father Dr. Batrucci's remarriage to Irene due to a morbid affection towards him. Upon investigating Irene's past, Angela discovers Irene had been involved in a lesbian relationship with a high school teacher that ended tragically when the teacher committed suicide following a scandal. In an attempt to sabotage Irene's marriage, Angela seduces her and engages in a lesbian affair. However, Sandro, a gigolo, photographs them during their encounter, which Angela then uses as leverage to blackmail Irene.
Release Year: 1969
Nation: N/A
Alternative Title: Os Profissionais do Sadismo, Le duo de la mort, The Frightened Woman, The Laughing Woman
Director: Piero Schivazappa
Writer: Giuseppe Zaccariello, Paolo Levi, Piero Schivazappa
Producer(s): N/A
Companies: N/A
Genre: Thriller
Dr. Sayer, a philanthropic institution director with a hidden misogynistic and sexophobic personality, engages in sadistic games at his isolated villa during weekends with professionals who stage death scenes. When Mary, an employee of his institution, visits him, he decides to act out one of his fantasies by imprisoning her and subjecting her to physical and psychological torture.
Femina ridens is a 1969 thriller directed by Piero Schivazappa. The film centers around Dr. Sayer, a seemingly respectable figure who harbors a dark side filled with misogynistic and sexophobic tendencies. Despite the limited information available about the movie's context or themes, it's clear that 'Femina ridens' explores disturbing psychological depths through its portrayal of Dr. Sayer's sadistic games and his eventual crossing over into reality.