Scene from Dark / TV series (2017)

First Appearances:

• Der Mann, der nach der Oma kam (1972) as Anne Piesold

Most Important Roles:

• The Elementary Particles (2006) as Hannelore
• Die Heimsuchung (2021) as Anke
• Der Job seines Lebens 2 - Wieder im Amt (2004) as Gundula Sieveking
• Der Trinker (1995) as Elinor
• Die Katzenfrau (2002) as Caroline
• Meine Tochter, Kreta und ich (2022) as Renate
• Der Bernsteinfischer (2005) as Marina
• Eine Robbe und das große Glück (2007) as Sabine Berg
• Eine Robbe zum Verlieben (2006) as Sabine Berg
• Der Mann, der nach der Oma kam (1972) as Anne Piesold

Career Highlights:

• The Elementary Particles (2006)
• Die Heimsuchung (2021)
• Der Job seines Lebens 2 - Wieder im Amt (2004)
• Der Trinker (1995)
• Die Katzenfrau (2002)
• Meine Tochter, Kreta und ich (2022)
• Der Bernsteinfischer (2005)
• Eine Robbe und das große Glück (2007)
• Eine Robbe zum Verlieben (2006)
• Der Mann, der nach der Oma kam (1972)

"Born in Berlin, Germany, Deborah Kaufmann debuted in the film industry at infancy alongside her actress mother in 'Der Mann, der nach der Oma kam' (1972). As she matured, Deborah became a prominent figure in German cinema and television, accumulating numerous credits. While her cinematic appearances were limited, her prolific television career ensured steady work. Fans have been fortunate to witness Deborah's extensive skinage throughout her career.

In the miniseries 'Konig der letzten Tage' (1993), Deborah delivered an explicit scene, revealing full frontal nudity that included breasts, buttocks, and pubic hair. The experience was described as shocking enough to evoke the exclamation, "Ich glaub mich knutscht ein Elch!"

The film 'Der Laden' (1998), although its title remains unclear, featured Deborah in a revealing role where she allowed an unnamed character to suckle her breasts. This scene generated envy among viewers who weren't the lucky recipient.

In Netflix's German series 'Dark' (2017), Deborah offered another glimpse of her assets by opening her robe to expose one of her breasts. Despite the series' title, fans eagerly anticipated more revealing scenes from Deborah.

Her recent credits include 'What Doesn't Kill Us' (2018), 'Jenny: Echt gerecht' (2019), and 'Polizeiruf 110' (2020). Although there's no confirmed timeline for Deborah's next revealing scene, fans eagerly await her next performance."

Alternate Names: Gina Alice Stiebitz

Physical Characteristics: N/A

First Appearances:

• Womb (2010) as Dima

Most Important Roles:

• The Darker the Lake (2022) as young Lea
• Womb (2010) as Dima
• Second Thoughts (2022) as
• Unexpected (2014) as Lilly
• Copilot (2021) as Marisa
• Das schaffen wir schon (2017) as Pflegerin

Career Highlights:

• The Darker the Lake (2022)
• Womb (2010)
• Second Thoughts (2022)
• Unexpected (2014)
• Copilot (2021)
• Das schaffen wir schon (2017)

Gina Alice Stiebitz, born in October 1997, is a German actress best known for her role as Franziska Doppler in the Netflix series Dark. She has also appeared in various stage productions at Berlin's Friedrichstadt-Palast theatre.

Alternate Names: Maja Schoene, مایا شونه

Physical Characteristics: N/A

First Appearances:

• Schluss mit lustig! (2001) as Jenny

Most Important Roles:

• Zarte Parasiten (2009) as Manu
• Eine fremde Tochter (2022) as Carolin Schönbeck
• Mörderische Erpressung (2006) as Stripperin
• The Fire (2011) as Judith
• Unbestechlich (2023) as Simone Westermann
• Sternstunde ihres Lebens (2014) as Lore Mertens
• Schluss mit lustig! (2001) as Jenny
• Neu in unserer Familie – Zwei Eltern zu viel (2016) as Marit Jansen
• Frau Roggenschaubs Reise (2015) as Nadeshda
• Summertime Blues (2009) as Mandy Teubner

Career Highlights:

• Zarte Parasiten (2009)
• Eine fremde Tochter (2022)
• Mörderische Erpressung (2006)
• The Fire (2011)
• Unbestechlich (2023)
• Sternstunde ihres Lebens (2014)
• Schluss mit lustig! (2001)
• Neu in unserer Familie – Zwei Eltern zu viel (2016)
• Frau Roggenschaubs Reise (2015)
• Summertime Blues (2009)

Maja Schöne gained prominence for her role as Judith in 'Der Brand' (2011), a film that explores themes of rape, trauma, and justice. In the movie, Judith's life is forever changed after she is raped on her way home from an evening out. She fights for justice through legal means but faces destructive consequences when the perpetrator lies. Eventually, Judith takes matters into her own hands to prove his guilt.