Actress: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Movie Title: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Scene from Women in Love (1969)

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Scene Details

Duration: 110 sec.Nudity: yesCreator: Ruffah
New Filesize: N/ASound: yesOld Filesize: 180 mb
File Format: AOMedia Video 1 (WebM/AV1)Resolution: 1888x1080Added: 2017-Dec-13

Actresses in this Scene


Portrait of Jennie Linden

Jennie Linden

Birth Name: Jennie Linden

Birth Date: 1939-12-08

Birth Place: Worthing, Sussex, England, UK

Details

Alternate Names: Jenny Linden

Physical Characteristics: N/A

Career

First Appearances:

  • Nightmare (1964) as Janet Freeman

Most Important Roles:

  • Dr. Who and the Daleks (1965) as Barbara
  • A Severed Head (1971) as Georgie Hands
  • Nightmare (1964) as Janet Freeman
  • Women in Love (1969) as Ursula Brangwen
  • Dalekmania (1995) as Barbara
  • Vampira (1974) as Angela
  • Charlie Muffin (1979) as Edith
  • The Last Appointment! (1977) as Shelley Masterton
  • View from the Loft (1974) as Linda Channing
  • The Little Match Girl (1986) as Mrs. Fairbrother

Career Highlights:

  • Dr. Who and the Daleks (1965)
  • A Severed Head (1971)
  • Nightmare (1964)
  • Women in Love (1969)
  • Dalekmania (1995)
  • Vampira (1974)
  • Charlie Muffin (1979)
  • The Last Appointment! (1977)
  • View from the Loft (1974)
  • The Little Match Girl (1986)

Full Biography

Jennie Linden, born December 8, 1939, is an English actress known for her roles in 'Women In Love' (1969) and the Hammer Horror film 'Nightmare' (1964).

Portrait of Sharon Gurney

Sharon Gurney

Birth Name: Sharon Gurney

Birth Date: 1950-06-16

Birth Place: N/A

Details

Alternate Names: Sharon Gurney Rhodes

Physical Characteristics: N/A

Career

First Appearances:

  • Women in Love (1969) as Laura Crich

Most Important Roles: N/A

Career Highlights: N/A

Full Biography

Sharon Gurney starred as Gudrun Brangwen, a sculptress and one of the two sisters who are central figures in the film 'Women in Love' (1969). Her character engages in a complex relationship with Gerald Crich, played by Alan Bates.


About the Movie: Women in Love (1969)

Poster for Women in Love (1969)

Release Year: 1969

Nation: United Kingdom

Alternative Title: Mujeres apasionadas, Love, Влюбени жени, Mulheres Apaixonadas, Når kvinder elsker, Mujeres enamoradas, Rakastavaisia, Erotevmenes gynaikes, Szerelmes asszonyok, Nashim Ohavot, Donne in amore, Koisuru onna tachi, Forelskede kvinner, Kvinner som elsker, Zakochane kobiety, Mulheres Apaixonadas, Влюбленные женщины, Asik Kadinlar, Liebende Frauen

Director: Ken Russell

Writer: D.H. Lawrence, Larry Kramer

Production & Genre

Producer(s):

Companies: Brandywine Productions

Genre: Drama, Film Based On A Novel, Lgbt-Related Film, Romance, Romance Film

Awards & Similar

Awards: N/A

Similar:

  • The Hairdresser's Husband (1990)
  • Angel (2007)
  • Babette's Feast (1987)
  • Death Sentence (2007)
  • Watership Down (1978)

Keywords

Story

Set in the sheltered confines of an English coal-mining community during the 1920s, 'Women in Love' explores the erotic and emotional entanglements of two sisters, Gudrun and Ursula Brangwen. The story revolves around their relationships with two contrasting men: Gerald Crich, a wealthy and powerful industrialist who represents the brutal and exploitative nature of modern society; and Rupert Birkin, an idealistic schoolteacher who embodies the search for sincere and honest love.

Gudrun becomes entangled in a passionate yet destructive relationship with Gerald, while Ursula finds solace and understanding in her relationship with Rupert. The story explores the cataclysmic consequences of these relationships on all four individuals, as well as the wider community they inhabit.

Summary

'Women in Love' is a 1969 British drama film directed by Ken Russell, based on D.H. Lawrence's novel of the same name. The movie is set in post-World War I England and explores themes of love, desire, and societal change through the lives of two sisters, Gudrun and Ursula Brangwen.

The film is notable for its exploration of eroticism and emotional complexity, as well as its visual representation of Lawrence's prose style. It is also significant for its portrayal of same-sex relationships, albeit subtly, in the figure of Gerald Crich who engages in intimate physical contact with another man while wrestling.