Scene from Mil gritos tiene la noche (1982)

Alternate Names: Diana Eagle, Pilar Alcon, Pilar Alcon, Diana Eagle, María del Pilar Alcón Gómez

Physical Characteristics: N/A

First Appearances:

• Night of the Werewolf (1981) as Barbara

Most Important Roles:

• The National Mummy (1981) as Prostituta Morena
• Conan the Barbarian (1982) as Orgy Slave Girl (uncredited)
• Night of the Werewolf (1981) as Barbara
• It Smells Like Someone Died Here... But It Wasn't Me! (1990) as Enfermera
• Magical Witches (1981) as
• USA, violación y venganza (1983) as Susan White
• Un rolls para Hipólito (1983) as Sara Angulo
• Policía (1987) as Pepa
• Yo quise hacer Los bingueros 2 (2016) as Ella misma
• Don Cipote de la Manga (1985) as

Career Highlights:

• The National Mummy (1981)
• Conan the Barbarian (1982)
• Night of the Werewolf (1981)
• It Smells Like Someone Died Here... But It Wasn't Me! (1990)
• Magical Witches (1981)
• USA, violación y venganza (1983)
• Un rolls para Hipólito (1983)
• Policía (1987)
• Yo quise hacer Los bingueros 2 (2016)
• Don Cipote de la Manga (1985)

"Pilar Alcón's most renowned appearance occurs not in a film she starred in but rather in the cult classic slasher flick Pieces (1982). She is immortalized as the nude model whose image adorns a puzzle being assembled by the future killer. His overbearing mother catches him and subsequently drives him to create a real-life, gruesome replica of that same nudie puzzle using human body parts! The shockwave caused by Pilar Alcón's bare form isn't confined to horror alone; it often brings laughter and arousal to viewers in Spanish comedies as well. She first bared all in the public sphere with the comedy El Soplagaitas (1980). Spain also boasts a rich tradition of horror, made more tolerable by Alcón's tendency to disrobe, such as in El Retorno del Hombre-Lobo (1980). Her comedic nude scenes continued in Un Rolls para Hipólito (1982) and Los Presuntos (1986), with the latter featuring a skinny-dipping scene sure to provoke a moist response. However, Alcón's talent extends beyond mere nudity, as demonstrated by her role in the dramatic thriller El Señor de los Llanos (1987). Her prolific career concluded at the decade's end with Aquí huele a muerto (1989), an enticing blend of humor and horror that showcased her range."