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Duration: 196 sec. | Nudity: yes | Creator: Ruffah |
New Filesize: N/A | Sound: yes | Old Filesize: 55 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 720x544 | Added: 2016-Feb-24 |
First Appearances:
Most Important Roles:
Career Highlights:
Valentina Cervi embarked on her acting journey in 1988, following in the footsteps of her renowned grandfather, Gino Cervi, with a minor role in the film 'Mignon e partita'. However, her career did not initially flourish. She pursued other interests before returning to cinema as an assistant to Robert Downey Jr. during the filming of 'Only You' in 1994. Fortunately, she returned to acting just in time for a notable appearance in Nicole Kidman's 'Portrait of a Lady' (1996). This role led to her securing the lead part in 'Artemisia' (1997), which marked her first on-screen nude scenes, including sensual sex and full frontal shots.
Valentina continued her trend of appearing nude in subsequent films such as 'Rien sur Robert' (1999) in France. She has since showcased her figure in various productions, including 'Hotel' (2001), the James Franco miniseries 'James Dean' (2001), the Italian comedy 'L'anima gemella' (2002), the Italian drama 'Provincia meccanica' (2005), Spike Lee's epic 'Miracle at St. Anna' (2008), the French dram-com 'Au Galop' (2012), the Italian ensemble comedy 'The Players' (2020), and as the vampiric Salome in HBO's 'True Blood'. Despite donning Victorian attire in the Academy Award-nominated film 'Jane Eyre' (2011), she remained clothed throughout. Fans eagerly await her next revealing role, hoping it won't be too long before this Roman beauty graces screens again with her captivating presence.
Release Year: 2001
Nation: Italy, United Kingdom
Alternative Title: Szálló, Отель
Director: Mike Figgis
Writer: Heathcote Williams, John Webster, Mike Figgis
Producer(s):
Companies: Cattleya, Hotel Productions, Moonstone Entertainment
Genre: Avant-Garde, Comedy, Mystery, Thriller
In the luxurious surroundings of an Italian hotel in Venice, a diverse group of individuals come together, each with their own secrets and agendas. Among them are a sex worker named Mimi (Sally Freeman) who is hiding from her pimp, and a hired killer named Jack (Simon Baker) who has been sent to eliminate her. Meanwhile, a film crew led by the eccentric director Michael (Michael Caine) arrives to shoot their latest project. As these worlds collide, it becomes apparent that something sinister is going on in this hotel - human meat is being served as a delicacy. Throughout their stay, the characters navigate their own webs of deceit and desire, culminating in a tense confrontation where everyone's true intentions are revealed.
Mike Figgis' 'Hotel' (2001) is an avant-garde thriller that explores the darker side of human nature within the confines of a luxurious Venetian hotel. The film is structured as a complex web of interconnected stories, each featuring unique characters who embody various facets of desire and deceit. While the plot revolves around a cannibalistic subculture operating within the hotel's walls, the movie itself is a commentary on the artifice of filmmaking, with many cameos from industry professionals. 'Hotel' blurs the lines between reality and fiction, offering a unique blend of mystery, comedy, and thriller elements that keep viewers guessing until the very end.