Actress: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Movie Title: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Scene from 10 to Midnight (1983)

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Scene Details

Duration: 33 sec.Nudity: yesCreator: Ruffah
New Filesize: N/ASound: yesOld Filesize: 21 mb
File Format: AOMedia Video 1 (WebM/AV1)Resolution: 1280x688Added: 2015-Nov-01

Actresses in this Scene


Portrait of Jeane Manson

Jeane Manson

Birth Name: Jeane Manson

Birth Date: 1950-10-01

Birth Place: Cleveland, Ohio, USA

Details

Alternate Names: Jean Manson

Physical Characteristics: N/A

Career

First Appearances:

  • Hot Thrills and Warm Chills (1967) as Kitten

Most Important Roles:

  • The Piano Player (2002) as Helena
  • Barn of the Naked Dead (1974) as Jean
  • Dirty O'Neil (1974) as Ruby
  • The Young Nurses (1973) as Kitty
  • La TV des 70's : Quand Giscard était président (2022) as Self (archive footage)
  • 10 to Midnight (1983) as Margo
  • Hot Thrills and Warm Chills (1967) as Kitten
  • The Acrobat (1976) as Dolly
  • From Hong Kong with Love (1975) as La Star
  • Un homme parfait (2003) as Betty Goldwyn

Career Highlights:

  • The Piano Player (2002)
  • Barn of the Naked Dead (1974)
  • Dirty O'Neil (1974)
  • The Young Nurses (1973)
  • La TV des 70's : Quand Giscard était président (2022)
  • 10 to Midnight (1983)
  • Hot Thrills and Warm Chills (1967)
  • The Acrobat (1976)
  • From Hong Kong with Love (1975)
  • Un homme parfait (2003)

Full Biography

Jeane Manson (born Jean Ann Manson on October 1, 1950) is an American actress and singer born in Cleveland, Ohio. Her first name was changed to 'Jeane' due to her career primarily being in France after 1974. After being photographed for Playboy magazine's Playmate of the Month in August 1974, she moved to France and appeared in several films like 'Bons Baisers de Hong Kong' (1975). She gained recognition for her song 'Avant de nous dire adieu' in 1976. In 1979, Manson represented Luxembourg at the Eurovision Song Contest with the song 'J'ai déjà vu ça dans tes yeux'. She is known for acting in films like 'Young Nurses' (1973), though plot details are sparse.


About the Movie: 10 to Midnight (1983)

Poster for 10 to Midnight (1983)

Release Year: 1983

Nation: United States of America

Alternative Title: 10 до Полунощ, Dez Minutos Para Morrer, Diez Minutos Para Morir, I sidste sekund, Al filo de la medianoche, 10 före midnatt, Ennen keskiyötä, Le justicier de minuit, 10 lepta prin ta mesanyhta, Mesanyhta para deka, Éjféli leszámolás, 10 minuti a mezzanotte, 10 a la media noche, 10 før midnatt, 10 minut do pólnocy, Dez para a Meia-Noite, Ora zero fara zece, 10 minut do polnoci, За 10 минут до полуночи, Geceyarisina 10 kala, Bloody Sunday, Ten to Midnight, Ein Mann wie Dynamit

Director: J. Lee Thompson

Writer: J. Lee Thompson, William Roberts

Production & Genre

Producer(s):

Companies: City Film, Golan-Globus Productions, The Cannon Group, Y & M Productions

Genre: Drama, Thriller

Awards & Similar

Awards: N/A

Similar:

  • The Day I Died: Unclosed Case (2020)
  • The Girl and the Oak (1955)
  • An Uninvited Guest (2011)
  • Five Minutes of Heaven (2009)
  • Hellboy Animated: Sword of Storms (2006)

Keywords

Story

Warren Stacy, an office equipment repairman in Los Angeles, California, begins a murder spree after women reject his advances. To minimize evidence, he kills naked and wearing only gloves, providing strong alibis to evade the law. Veteran detective Leo Kessler becomes convinced of Stacy's guilt but struggles to prove it due to lack of physical evidence. Kessler starts using questionable methods to catch Stacy, blurring the line between justice and vigilantism.

Summary

'10 to Midnight' (1983) is a crime thriller directed by J. Lee Thompson, set in the gritty streets of Los Angeles. The film explores themes of guilt, revenge, and the blurred line between justice and vigilantism through its protagonist, Detective Leo Kessler. Warren Stacy, a disturbed repairman with a history of mental health issues, embarks on a killing spree targeting women who reject his advances. Despite ample evidence suggesting Stacy's involvement, lack of physical proof hinders Kessler's investigation. As the body count rises and public pressure mounts, Kessler resorts to increasingly questionable methods to bring Stacy to justice.