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Scene from Tutta la vita davanti (2008)
Scene Details
| Duration: 112 sec. | Nudity: yes | Creator: Ruffah |
| New Filesize: N/A | Sound: yes | Old Filesize: 72 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1280x544 | Added: 2015-Oct-04 |
Actresses in this Scene
Isabella Ragonese
Career
First Appearances:
Most Important Roles:
Career Highlights:
Full Biography
Isabella Ragonese, born in Italy, rose to prominence with her role as Angela in the 2009 film 'Viola di Mare'. This film, based on a true story, presents a portrait of family dynamics and societal norms in 19th-century Italy. Despite challenges from her father and the church, Angela's unruly nature leads her to pursue a relationship with her childhood best friend Sara.
About the Movie: Tutta la vita davanti (2008)
Release Year: 2008
Nation: N/A
Alternative Title: Das ganze Leben liegt vor Dir, Her Whole Life Ahead, A Whole Life Ahead, Toute la vie devant soi, Előtted az élet
Director: Paolo Virzì
Writer: Francesco Bruni, Michela Murgia, Paolo Virzì
Production & Genre
Producer(s): N/A
Companies: N/A
Genre: Comedy, Comedy Film, Drama, Romance
Awards & Similar
Awards:
Similar: N/A
Story
Marta, a newly graduated girl with high aspirations, finds herself working at a call center selling futuristic appliances. Despite her intelligence and curiosity, she struggles to find fulfillment in this job. The call center environment is portrayed as fast-paced and demanding, with constant motivational dances, prize-giving ceremonies, and public punishments for poor performance. Marta navigates this precarious work universe, meeting various characters like the fanatic sellers and fellow telephone operators who help shape her understanding of this new world.
Summary
Tutta la vita davanti is a bittersweet comedy-drama directed by Paolo Virzì, released in 2008. The film follows Marta, a well-educated young woman who finds herself working at a call center after graduation. Through Marta's experiences and observations, the movie offers a critique of modern society, particularly its focus on consumerism, precarious work, and the pressure to conform. Virzì uses humor and pathos to explore Marta's struggle to maintain her individuality amidst the corporate machine.