Actress: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Movie Title: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Scene from Lo squartatore di New York (1982)

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Scene Details

Duration: 184 sec.Nudity: yesCreator: Ruffah
New Filesize: N/ASound: yesOld Filesize: 157 mb
File Format: AOMedia Video 1 (WebM/AV1)Resolution: 1920x816Added: 2015-Jul-15

Actresses in this Scene


Portrait of Zora Kerova

Zora Kerova

Birth Name: Zora Kerova

Birth Date: 1950-08-11

Birth Place: Prague, Czechoslovakia [now Czech Republic]

Details

Alternate Names: Ulla Keslerová, Ulla Z. Kesslerova, Ulla Zora Keslerova, Zora Keer, Zora Keer, Ulla Keslerová, Ulla Z. Kesslerova, Ulla Zora Keslerova, Zora Keer, Zora Kerowa, Zora Ulla Kesler, Zora Ulla Keslerova, Zora Ulla Keslerová, Zora Ulla Kesslerová, Zora-Ulla Keslerová, Zora-Ulla Kesslerová, Zora Kerowa, Zora Ulla Kesler, Zora Ulla Keslerova, Zora Ulla Keslerová, Zora Ulla Kesslerová, Zora-Ulla Keslerová, Zora-Ulla Kesslerová

Physical Characteristics: N/A

Career

First Appearances:

  • The House with Laughing Windows (1976) as Waitress (uncredited)

Most Important Roles:

  • The New York Ripper (1982) as Eva
  • Cannibal Ferox (1981) as Pat Johnson
  • Escape from Death (1989) as Mary
  • Touch of Death (1988) as Virginia Field
  • Hansel and Gretel (1990) as Woman in Bath (uncredited)
  • The Root of Evil (2006) as Andrea Spiegelman
  • The Feather Fairy (1985) as Alžbetka's Mother
  • Paura: Lucio Fulci Remembered - Volume 1 (2008) as Self
  • Kdoví, kdy začne svítat (1988) as
  • The True Story of the Nun of Monza (1980) as Sister Virginia de Leyva

Career Highlights:

  • The New York Ripper (1982)
  • Cannibal Ferox (1981)
  • Escape from Death (1989)
  • Touch of Death (1988)
  • Hansel and Gretel (1990)
  • The Root of Evil (2006)
  • The Feather Fairy (1985)
  • Paura: Lucio Fulci Remembered - Volume 1 (2008)
  • Kdoví, kdy začne svítat (1988)
  • The True Story of the Nun of Monza (1980)

Full Biography

Zora Kerova, born Zora Ulla Keslerová on August 11, 1950 in Prague, Czechoslovakia (now Czech Republic), started her career as a dancer and singer before becoming a model. She began acting in the late 1970s, appearing in Italian films like 'La febbre americana' (1978) and Czech drama 'Křehké vztahy' (1979). Kerova gained international recognition for her roles in cult horror films such as 'Antropophagus' (1980), 'Cannibal Ferox' (1981), and Lucio Fulci's 'The New York Ripper' (1982). She continued working with Fulci in later films like 'Touch of Death' (1988) and 'Sodoma's Ghost' (1988).


About the Movie: Lo squartatore di New York (1982)

Poster for Lo squartatore di New York (1982)

Release Year: 1982

Nation: N/A

Alternative Title: Psycho Ripper, The Ripper, El descuartizador de New York, Нюйоркският изкормвач, Estripador de Nova Iorque, Nova York - Cidade Violenta, L'éventreur de New York, Manhattan Ripper, Blodig voldtaegt, El destripador de Nueva York, Viiltäjä, O anterovgaltis tis Neas Yorkis, Nau yerk dai gaan sat, Niu yue da jian sha, A New York-i mészárlás, The New York Ripper, Nowojorski rozpruwacz, O Estripador de Nova Iorque, Нью-йоркский потрошитель, Der Schlitzer von New York

Director: Lucio Fulci

Writer: Antone Pagán, Dardano Sacchetti, Gianfranco Clerici, Lucio Fulci, Vincenzo Mannino

Production & Genre

Producer(s): N/A

Companies: N/A

Genre: Horror, Horror Film, Mystery, Thriller

Story

The movie 'Lo squartatore di New York' (1982), directed by Lucio Fulci, follows a mystery surrounding a series of murders in New York City, with no apparent connection between the victims. The plot revolves around an unknown killer who dismembers his victims, hence the nickname 'The Ripper'. As the body count rises, panic spreads among the city's inhabitants.

Summary

Set in the grimy and violent streets of New York City during the early 1980s, 'Lo squartatore di New York' is a horror-thriller film directed by Italian filmmaker Lucio Fulci. Known for his distinctive style and graphic content, Fulci's work reflects the grim reality of crime-ridden urban environments in this era. The movie explores themes of fear, paranoia, and the breakdown of society amidst escalating violence.