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Duration: 265 sec. | Nudity: yes | Creator: Ruffah |
New Filesize: N/A | Sound: yes | Old Filesize: 88 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 720x400 | Added: 2014-Aug-24 |
Alternate Names: Caroline Davernas, کارولین داورناس, 卡洛琳・哈薇娜絲, 캐롤라인 다버나스
Physical Characteristics: N/A
First Appearances:
Most Important Roles:
Career Highlights:
Caroline Dhavernas is a French-Canadian actress known for her roles as Jaye Tyler in 'Wonderfalls' and Dr. Alana Bloom in 'Hannibal'. She has not been associated with the character Annie or any events mentioned in the brief OMDb plot description.
Release Year: 2002
Nation: Canada, United States of America
Alternative Title: A Wilderness Station, Station sauvage, Hulluuden raja, Stin kopsi tou xyrafiou, Ostrica ludila
Director: Anne Wheeler
Writer: Alice Munro, Anne Wheeler, Charles K. Pitts
Producer(s):
Companies: CinéGroupe, Gregorian Films
Genre: Drama, Mystery, Thriller
Awards: N/A
Similar:
Keywords: woman director
In 1851 Manitoba's Red River Valley, a young woman, Annie, arrives at a wilderness fort claiming to have murdered her husband. She is placed in a cell and spends several months sewing while local prefect Henry Mullen investigates her claim. Through flashbacks, it is revealed that Annie was arranged to marry Simon, a hard-working but angry man who abuses her. Simon's younger brother George treats Annie kindly, but he is too weak to protect her. The truth about what happened remains unclear until Mullen arrives at their homestead and hears a different story from the locals that potentially exonerates Annie.
Edge of Madness is a 2002 film directed by Anne Wheeler, set in the harsh winter of Manitoba's Red River Valley in 1851. The movie revolves around Annie, a young woman who arrives at a wilderness fort claiming to have murdered her husband and is subsequently imprisoned while her story is investigated by local prefect Henry Mullen. This dramatic mystery explores themes of marriage, abuse, power dynamics within relationships, and the struggle for truth in the face of deception.