Scene from À la recherche du temps perdu (2011)

First Appearances:

• Welcome Aboard (2011) as Sonia

Most Important Roles:

• Interview with a Hitman (2012) as Bethesda
• Populaire (2012) as La vamp
• On the Horizon (2016) as Anna
• Killer in Red (2017) as
• Welcome Aboard (2011) as Sonia
• Eclisse (2015) as Adeline Selmer
• Spirou & Fantasio's Big Adventures (2018) as L'attachée de presse
• ExtaZus (2019) as Ultra Final
• Loro (2018) as Violetta Saba
• Harcelée (2017) as Célia

Career Highlights:

• Interview with a Hitman (2012)
• Populaire (2012)
• On the Horizon (2016)
• Killer in Red (2017)
• Welcome Aboard (2011)
• Eclisse (2015)
• Spirou & Fantasio's Big Adventures (2018)
• ExtaZus (2019)
• Loro (2018)
• Harcelée (2017)

"With striking blue eyes and raven-black hair, French actress Caroline Tillette could make any man feel invincible. She launched her career on television in France with a recurring role in the series 'Plus belle la vie', before taking a non-nude part in the otherwise explicit biopic 'Gainsbourg: A Heroic Life' (2010). It wasn't until the period piece 'À la recherche du temps perdu' (2011) that we caught our first glimpse of Caroline's surprisingly lithe figure, as she bathed herself in front of a mirror. Commendable, Ms. Tillette! After nearly ten years, she once again captivated our gaze with her stunning physique in the peculiar yet skin-baring series 'The New Pope'. In the show's debut season, Caroline's character bares all in multiple scenes. First appearing in an open robe within a movie-within-a-movie, her assets were prominently displayed, yearning for affection. She reappears shortly thereafter sans robe, adorned with a merkin but lacking any visible bush, showcasing instead a firm, shelf-like behind and pert bosom. As of yet, Skin Central has not unearthed more flesh from Caroline, but it's clear she doesn't shy away from life's racier aspects."