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Affiche pour Lost Door (2008)

Lost Door (2008)

Année de sortie : 2008

Pays : France

Titre alternatif : The Lost Door

Réalisateur : Roy Stuart

Scénariste : Alain Deloffre, François Bokonon, Roy Stuart, Rémi Bohrt

Production & Genre

Producteur(s) : N/D

Sociétés : N/D

Genre : Drama, Thriller

Récompenses & Similaires

Récompenses : N/D

Similaires :

  • Inside (2006)
  • Sensual (1986)
  • Kira's Reason: A Love Story (2001)
  • All About Anna (2005)
  • Penny Dreadful (2006)

Mots-clés

Synopsis

The movie 'Lost Door' interweaves parallel stories centering around obsession and desire. Alex, a museum guard, becomes love-struck with Nicole, whom he lives with. Kristina, an innocent woman from the Amazon, arrives in Paris and instantly falls deeply in love with Nicole as well. Seeking to disrupt their relationship, Kristina enlists the help of an intellectual playboy named Marc. By theorizing on the 'love-virus' and the futility of romance, Marc manages to manipulate Nicole before his mysterious death leaves Kristina as the prime suspect. Arrested and committed to a psychiatric hospital, Kristina is interrogated by Catherine, a young psychiatrist tasked with uncovering the truth behind her suspected murderous actions and strange sexual fantasies. Throughout their confrontations, it's revealed that Kristina's haunting memories and repressed desires ultimately open up Catherine's own repressed feelings.
Texte uniquement disponible en anglais.

Résumé

'Lost Door', a French erotic thriller drama from 2008 directed by Roy Stuart, explores themes of obsession, desire, and illusion through a series of interconnected stories. The film revolves around the enigmatic Kristina, whose passion for Nicole leads her down a dark path involving murder accusations and psychological evaluations. Set primarily in Paris, 'Lost Door' delves into the minds of its characters, blurring the lines between reality, fantasy, and madness as they navigate complex relationships and repressed emotions.
Texte uniquement disponible en anglais.

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