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Affiche pour After Hours (1985)

After Hours (1985)

Année de sortie : 1985

Pays : United States of America

Titre alternatif : Después de hora, Часове по-късно, Depois de Horas, Efter fyraften, Jo, ¡qué noche!, Quina nit!, En natt i New York, Illasta aamuun, After Hours: Quelle nuit de galère, Meta ta mesanyhta, Idiotska noć, Lidérces órák, Fuori orario, Natt på Manhattan, Po godzinach, Nova Iorque Fora de Horas, O noapte ciudata, После работы, Geç Saatler, Die Zeit nach Mitternacht

Réalisateur : Martin Scorsese

Scénariste : Joseph Minion

Production & Genre

Producteur(s) :

Sociétés : Double Play, Geffen Pictures

Genre : Comedy, Comedy Film, Drama, Thriller

Récompenses & Similaires

Récompenses : N/D

Similaires :

  • Memoirs of a Murderer (2017)
  • Betrayed (1988)
  • Torso (1973)
  • The Marrying Man (1991)

Mots-clés

Synopsis

After Hours follows Paul Hackett (Griffin Dunne), an uptown Manhattan office worker seeking a change from his monotonous routine. One night, he meets Marcy (Rosanna Arquette) at a local bar and decides to follow her home downtown. However, their encounter quickly turns chaotic when she asks him for money to pay the babysitter but he doesn't have enough. In a rush to find cash, Paul leaves his wallet behind. A series of comedic misfortunes ensue as Paul tries to retrieve his wallet while also trying to impress Marcy and her friends with his artistic skills. Throughout the night, Paul becomes involved in various bizarre situations, including a mobster's overdose, a punk rock vigilante gang, and an encounter with a thief who mistakes him for a police officer.
Texte uniquement disponible en anglais.

Résumé

After Hours is a 1985 black comedy directed by Martin Scorsese, known for its surreal and absurd take on urban life. The film centers around Paul Hackett's nighttime adventures in downtown Manhattan's SoHo district, where he encounters a series of unlikely events that escalate from minor inconveniences to full-blown chaos. The movie is notable for its dark humor, comedic timing, and Dunne's anxious yet amused performance as Paul, who becomes the unwitting catalyst for the evening's absurd occurrences.
Texte uniquement disponible en anglais.

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